Although its title and marketing are sensationalistic, the 1943 film I Walked With A Zombie,
produced by Val Newton and directed by Jacques Tournier, is a
compelling narrative that offers understated mystery, intriguing
characters, and a thoughtful exploration of a tropical setting.
The plot, based on a magazine article
by Inez Wallace with dramatic improvements taken from Jane Eyre.
Canadian nurse Betsy Connell (Frances Dee) is assigned to care
for the invalid wife of Paul Holland (Tom Conway), a wealthy sugar
planter on the Caribbean island of St. Sebastian. When ingenue Nurse
Betsy comments on the beauty of the islands, Holland has a cheerful
response about destruction and decay brought about by the tropics.
“Everything good dies here,” he grumbles.
True to the dynamics of Jane Eyre,
Holland comes off as a prick, while his half brother Wesley Rand
(James Ellison), manager of the sugar refinery, seems charming and
attractive. On the island, the descendants of slaves are more
respectfully depicted here than in other films of the period, with a
few black roles developed into actual characters – most notably
Alma (Teresa Harris) , a kind servant in the Holland household who
looks after Betsy. The patient, Jessica Holland (Christine Gordon),
isn't exactly the madwoman in the attic, but she has a building to
herself, where Betsy, a doctor, and the servants attend to her. Mrs.
Holland, the beautiful blond woman in white, suffered a tropical
fever that badly damaged her nervous system. As Alma says, “She
went mindless,” a sleepwalker who can never be awakened.
Betsy's day off with sweet Wesley
complicates matters. After Wes has a few too many rums at the local
cafe, he passes out – but not before a local calypso singer (played
by the legendary Sir Lancelot) lets drop the truth in the lyrics to one of his songs: Before she
became zombified, Jessica was about to leave Paul Holland and run off
with Wesley. Betsy sees that Wes is a drunk, and learns that Jessica
may have been an unfaithful wife. As the days pass, Betsy, who begins
to see her boss Paul Holland as a victim and has had glimpses of his
softer side, decides that she will try to help Jessica recover. When
a new scientific treatment fails to restore Mrs. Holland, Betsy takes
Alma's suggestion and slips away one night to take Jessica to the
hounfort – he voodoo temple – to see if the houngan
and mambo (priest and priestess) can cure her.
In the most effective sequence in the
film, Besty leads Jessica through the cane fields at night, down a
complicated network of paths, marked here and there by totems of dead
animals and guarded at the crossroads by the towering, zombie sentry
Carrefour (Darby Zones). Carrefour is easily the most frightening
figure in the film – bony, expressionless, shambling, and dead-eyed
in the best zombie tradition. At the hounfort, the houngan
determines that Jessica is in fact one of the walking dead, and hence
belongs with the those who practice voodoo, and not with the whites.
Betsy, with the help of the mysterious Mrs. Rand (Edith Barrett) is
able to take Jessica back to the Holland compound. But the
voodoo-people are going to want that pretty white woman back, it
seems.
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